We are currently closed to general poetry and fiction submissions.
We strongly encourage online submission. However, if you prefer postal mail, you can send (with a self-addressed, stamped envelope) to Boston Review, PO Box 425786, Cambridge, MA 02142. We do not accept emailed submissions. Payment varies.
We receive and read thousands of submissions each year, so the process can be lengthy, but we will get back to you. Please do not contact us about the status of submissions. If you need to withdraw a piece, please do so through Submittable. If you are withdrawing only one poem from a poetry submission, please do so by adding a note in Submittable to the submission.
Each year, Boston Review runs competitions in poetry and fiction.
We strongly encourage online submissions; however, contestants also may submit entries via postal mail but will not receive acknowledgement of successful submission. Email submissions are not accepted. All contest entry payments are non-refundable and previously published work may not be submitted to any contest. All winners are announced publicly and informed prior to that announcement. Please do not contact us to ask whether you have won a contest.
Contest entry forms will be available during the submissions periods. If a contest entry form is not visible, the contest is currently closed for submissions.
We also partner with the Unterberg Poetry Center/92nd Street Y to publish the winner of the annual “Discovery”/Boston Review poetry contest. Go here for more information on "Discovery"/92Y contest rules and submission periods. We do not host the submission process for the "Discovery" contest.
Deadline: October 1, 2017
Judge: Viet Thanh Nguyen
Aura Estrada (1977–2007) was a promising young Mexican writer and student, and the wife of Francisco Goldman. This prize is meant to honor her memory by supporting other burgeoning writers. Aura's writing, and more about her life, can be found here.
The winning author will receive $1,500 and have his or her work published online on Boston Review's Web site. Runners up may also be published. Stories should not exceed 5,000 words and must be previously unpublished. Mailed manuscripts should be double-spaced and submitted with a cover note listing the author’s name, address, and phone number. No cover note is necessary for online submission. Names should not appear on the stories themselves. Any author writing in English is eligible, unless he or she is a current student, former student, relative, or close friend of the judge. Simultaneous submissions are not permitted; if you submit your story to another publication, you must withdraw it from our submissions manager or inform us by email. Submissions will not be returned, and submissions may not be modified after entry. A non-refundable $20 entry fee, payable to Boston Review in the form of a check or money order or by credit card, must accompany each story entered. All submitters receive a complimentary copy of our special literary edition on global dystopias edited by Junot Díaz. Submissions must be postmarked no later than October 1, 2017. The winner will be notified in the spring of 2017 and publicly announced by July on the Boston Review Web site.
Online submissions are strongly preferred; however, they can also be mailed to:
Short Story Contest, Boston Review
PO Box 425786
Cambridge, MA 02142
Read winning stories from past years:
Mikayla Ávila Vilá's Trumpeteers (2016)
Barbara Hamby's Dole Girl (2015)
Leslee Becker's Severance (2014)
Kerry-Lee Powell’s There Are Two Pools You May Drink From (2013)
Alexandra Thom’s The Piano (2012)
Kalpana Narayanan’s Aviator on the Prowl (2011)
Adam Sturtevant’s How Do I explain? (2010)
Jessica Treglia’s Canceled (2009)
Patricia Engel’s Desaliento (2008)
Padma Viswanathan’s Transitory Cities (2007)
Tiphanie Yanique’s How to Escape from a Leper Colony (2006)
Lisa Chipongian’s Intramuros (2005)
D.S. Sulaitis’s If It’s Anywhere, It’s Behind Us (2004)
Gale Renee Walden’s Men I Don’t Talk to Anymore (2003)
Manini Nayar’s Home Fires (2002)
Kate Small’s One Night a Year (2001)
Girija Tropp’s The Pretty Ones Have Their Uses (2001)
Pauls Toutonghi’s Regeneration (2000)
Jacob M. Appel’s Shell Game with Organs (1999)
Kris Saknussemm’s Unpracticed Fingers Bungle Sadly Over Tiny Feathered Bodies (1998)
Kiki Delancey’s Jules Jr Michael Jules Jr (1997)
Mary Ann Jannazo’s No Runs, No Hits, No One Left on Base (1996)
Tom Paine’s The Milkman & I (1995)
Michael Dorris’s Layaway (1994)